Nestled in the rough mountainous country west of the cities of Nogales, Arizona, and Nogales, Mexico, Boundary Monument 127 is a significant geographic turning point for the U.S.-Mexican border - and is located on the WRONG spot!
Art is part of the discussion. The border is an issue that art can say a lot about."
Along the U.S-Mexican border various artists, using a variety of art forms, have worked to encourage the general public to reflect on the social problems caused by the border’s existence. Among the most noteworthy issues this art explores are transnational migration as well as the use of government force (such as the U.S. Border Patrol) to build up the border. The work of Nogales, Sonora, artists Alberto Morackis and Guadalupe Serrano bears witness to how public art can contribute to a greater awareness of the border’s social problems.
The Battle of Ambos Nogales Centennial and the Forgotten, Painful Origins of the U.S.-Mexico Border Fences
A version of this photo essay appeared as an article in the August 24, 2018, edition of the Nogales International; special thanks to editor Jonathan Clark for allowing me to contribute to the local paper's coverage of the battle's centennial
A century ago on Aug. 27, 1918, Mexicans and Americans fought one another at the Battle of Ambos Nogales, leaving as many as 129 Mexicans and four Americans dead, and approximately 330 wounded.
There was another toll as well: the previously open border between Nogales, Ariz. and Nogales, Sonora.
As a result of the battle, the two Nogaleses became the first cities on the U.S.-Mexico border to be divided by permanent border fences.
U.S.-Mexican, Latino, and Border Historian